advice I wish BL authors would follow
Dec. 1st, 2006 06:43 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I stumbled on the FAQ for "the official archive of the paris/torres collective, which reads more as a simple primer of fanfiction and writing it. I was surprised to find that The Romulan Way by Diane Duane was considered a Mary Sue story by, well, anybody. If it is one, I suppose there are very good Mary Sues out there. But then, Diane Duane is a really good writer. :P Also, Peter David started out as a fanfic writer? Cool. (I own a lot of ST:TOS novels, many of which are very good, or at least extremely entertaining to read.)
But what came to mind reading the advice was how some of it desperately needed to be applied to BL novels.
Cardinal Rule #1: If your characters have to act out of character for your plot to work, then your plot DOES NOT WORK.
BL needs to follow this, desperately. The FAQ is talking about OOC from canon, but in a good number of BL novels they betray the characterization set up in the novels themselves to move the plot. If I can accept the characters enough to keep reading, no matter how much of a pansy or an idiot or such a complete and utter jerk that I can't fathom why anyone would want to be around them let alone be in love with them they may be, I don't want them to suddenly do something OOC so that some stupid plot point (usually the pivotal one) can happen. Also, miraculous and sudden reformations of not so steller characters do not ring true, especially if it seems like it happened just to get a happy ending. -_-
Tip # 1. Angst does not always equal good drama. Do not kill/maim/torture a character just for effect. Writing a tearjerker just because you want to manipulate the emotions of your readers is not a sign of depth or skill. Keeping the scale and intensity of your stories closer to reality than Opera, means that the genuine emotion you provoke in the reader will be all the more powerful for being attained through subtlety and skill rather than cheap theatrics. Readers identify more with a realistic protagonist's plight than they will the Nibelungen.
YES YES YES and YES. I am an angst whore, but I can only get into the angst if the characters seem vaguely like "real people" and not just paper cut-outs acting out the great tragic horror that are the string of "moe points" the author is trying to hit. I am amused at the angst of paper cut-outs, not moved.
Tip #13. Don't rush to finish a story just to have it out by a certain date, or to be the "first" to have a particular type of story out. Give your story the time and attention it needs.
Tips like this and others that talk about finishing stories up before publishing, etc...how I wish professional authors could follow them. I hate reading an ending that is so obviously just a wrap up to finish things up rather than a real conclusion. I know they are under deadline and have to produce, and that the entire industry is a book mill, but still...A girl can wish, right?
But what came to mind reading the advice was how some of it desperately needed to be applied to BL novels.
Cardinal Rule #1: If your characters have to act out of character for your plot to work, then your plot DOES NOT WORK.
BL needs to follow this, desperately. The FAQ is talking about OOC from canon, but in a good number of BL novels they betray the characterization set up in the novels themselves to move the plot. If I can accept the characters enough to keep reading, no matter how much of a pansy or an idiot or such a complete and utter jerk that I can't fathom why anyone would want to be around them let alone be in love with them they may be, I don't want them to suddenly do something OOC so that some stupid plot point (usually the pivotal one) can happen. Also, miraculous and sudden reformations of not so steller characters do not ring true, especially if it seems like it happened just to get a happy ending. -_-
Tip # 1. Angst does not always equal good drama. Do not kill/maim/torture a character just for effect. Writing a tearjerker just because you want to manipulate the emotions of your readers is not a sign of depth or skill. Keeping the scale and intensity of your stories closer to reality than Opera, means that the genuine emotion you provoke in the reader will be all the more powerful for being attained through subtlety and skill rather than cheap theatrics. Readers identify more with a realistic protagonist's plight than they will the Nibelungen.
YES YES YES and YES. I am an angst whore, but I can only get into the angst if the characters seem vaguely like "real people" and not just paper cut-outs acting out the great tragic horror that are the string of "moe points" the author is trying to hit. I am amused at the angst of paper cut-outs, not moved.
Tip #13. Don't rush to finish a story just to have it out by a certain date, or to be the "first" to have a particular type of story out. Give your story the time and attention it needs.
Tips like this and others that talk about finishing stories up before publishing, etc...how I wish professional authors could follow them. I hate reading an ending that is so obviously just a wrap up to finish things up rather than a real conclusion. I know they are under deadline and have to produce, and that the entire industry is a book mill, but still...A girl can wish, right?
(no subject)
Date: 2006-12-01 04:50 pm (UTC)(no subject)
Date: 2006-12-03 08:24 am (UTC)