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I watched the 1996 TV adaptation of Emma starring Kate Beckinsale as Emma and Mark Strong as Mr. Knightly this weekend. I now feel a lot more positive about the book. I found Emma (the character) hard to stomach in the beginning, but Kate Bekinsale does a great job (her expressions are priceless) and I quickly softened towards Emma. By the end I really enjoyed the story...Though seeing Frank Churchill in action made me really wish something bad happened to him in the future. Ugh, what a slimy, icky ass. I'm a bit curious as to what was cut out and what was changed, so I might someday pick up the book and try to read it again. ^^;

Could Mansfield Park be made palatable when turned into a film? I'm a bit tempted to find out....

Seeing Mark Strong makes me want to rewatch Stardust, in which he is an awesome villian. Now that was a really good adaptation of a book.

I am terribly disappointed that Jane Eyre is currently limited release. I have a perverse desire to see the movie, perhaps because I don't care for the book.

I was eating lunch at a local udon restaurant today when the Korean actor who was in Lost and is now in Hawaii 5-0 came in to eat. I had to snort at my attempts to NOT stare at the guy even though I'm not that into celebrities in general and didn't watch either show. The girls at the next table were adorable, though, whispering about trying to get autographs and/or pictures. I wish I could've seen them do it, but I left before they did. :P

I've been rereading old BL novels and manga the last month or so. I had initially been looking for a particular book, but I couldn't find it*. Instead I started reading stuff I hadn't read in a while. Talk about a mixed bag. I own some truly crappy books as well as some really good books I don't reread enough.

I reread a book about best friends in high school in which one has loved the other since forever and finally confesses, turning his friend's world upside down. Sadly, the best part of the book was the art. I was trying to remember books about best friends with sekrit unrequited love on one side because I'm sure I've read tons of them. I could only think of two involving working adults and one with students off the top of my head, which isn't that many...Any recs? I like the premise a lot if done well. I can rec the two working adults books: Slow Rhythm by Sugihara Rio and illustrated by Kinoshita Keiko (♥ her!) and Tadashii koi no nayami kata by Watarumi Naho and illustrated by Sasaki Kumiko. I can't find the student one, but that one wasn't that great anyway. :P

Two books I truly enjoyed rereading: Sono otoko, toriatsukai chuui! and Sono otoko, shinyuu kinshi! by Narumiya Yuri and illustrated by Sakuragi Yaya. They are about a young road construction worker Saeki Keisuke and the guy who becomes his boyfriend in the first book. The blurb for the first book says that Keisuke is a loose guy who will sleep with any guy or gal. He becomes friendly with a government worker who moves in next door, Ogata Mizuki. When Ogata confides that he's in love with some other guy, Keisuke offers to teach him how to sleep with a guy. He's always been the one doing the fucking with guys, but he ends up being fucked by Ogata. The book also has some yazuka (and random criminal) action, but the main point of it is the disgustingly sweet yet adorable relationship between Keisuke and Ogata. Keisuke is tall and decently built, looks a bit intimidating, and is good in fights, but is like butter in Ogata's hands. He's a bit embarrassed, but isn't too full of pride/tsundereness/whatever to hide it constantly. The second book has the insecurities and misunderstandings that seem to show up a lot in second books with established relationships (go cliches!), but in the end the sweetness makes it all okay to me. It helps that I love the art. XD;

*Has anyone read a BL novel about a salaryman with an actor boyfriend whom he supports financially? The boyfriend is on the verge of getting his big break and their relationship becomes destabilized. I hope I find it one day... ;_;

Random news:

Ugh, I hope the rumor that Robert Pattison may play Tetsuo from Akira is wrong. Putting aside the "why is a white guy playing a character who is sooo NOT WHITE" thing (which is neither here nor there as it doesn't apply in this case as per the article the location will be "New Manhattan" instead of "New Tokyo"), I have an aversion to the actor (thanks to how awful he looked in the Twilight promo material).

For people in the US: Costco has a printer cartridge refill service!

Odd, possibly bad: Brooklyn Rundfunk Orkestrata rearranges the entire score of The Sound of Music on their newest album.

I kinda want to see the Priscilla Queen of the Desert musical just for the cupcake scene.

Amazon is shutting down ebook lending sites.
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Kyo-ren by Miduki Mato and illustrated by Sasaki Kumiko is not quite my cup of tea, but was still an interesting read. It's about a sex-crazy hot-blooded yakuza wakagashira Daigo and the grandson of the kumicho Souichirou who loves him. Daigo had gone to jail when Souichirou was ten during a clan war. Souichirou's grandfather had been hospitalized all this time, so Souichirou had kind of held the clan together in the meantime. Six years later, Souichirou finds Daigo having gotten out of jail. Instead of coming back to report that he's out, he'd gone to a soap and had been having sex for days. He'd been missing out on women for six years, after all. He had a lot of catching up to do. Souichirou pulls Daigo out so that he can have Daigo clean up and greet his grandfather properly. Unfortunately his plan doesn't quite work out when Daigo gets Souichirou to have sex with him. Six years ago Daigo had beaten up a whole bunch of enemies, grabbed ten year old Souichirou and kissed him hard, and promised to take his virginity before being hauled to jail.

Daigo is a cad and a bastard and objectively a very bad man. He'll have sex with anything, resorting to rape if necessary. He's also very charismatic and the (nearly) perfect yakuza, destined to be the next clan head (since Souichirou totally does NOT want the job). Typically you'd think a sixteen year old would be a pushover, no matter how strong willed. Souichirou, however, is beyond strong willed. He'd make a very good yakuza leader if he'd wanted to. He's smart, pragmatic, and is very capable of making decisions and leading people. He's just inexperienced, and he's also in love with Daigo and thus weak against him. Daigo, for his part, is weak for Souichirou--though that doesn't always stop him from being a bastard.

The most interesting aspect of the book was the conflict with another clan. That clan leader wanted to make Souichirou his boytoy, and eventually kidnaps him. Typically the big manly seme comes and saves the helpless uke from being ravaged, but not in this story. Oh no, Souichirou gets raped. He's also shot. Daigo does barge in and is enraged to see Souichirou being brutalized. The other clan members are all freaked out by Daigo (he's scary in general, and his reputation precedes him) and can't handle him. They all run away. Rapist clan leader and Daigo end up in a fist fight. Souichirou really wants to just faint, but he knows he has to stay awake to put a stop to Daigo. Which he does. Daigo gets the better of rapist clan leader and shoots him in all of his limbs. He wants to kill the dude, but Souichirou does NOT want Daigo to go to jail. He asks if Daigo wants to kill the dude and go back to jail, or NOT kill the dude and have fun and merry sex with Souichirou every night? Daigo has to answer the latter, and so does not kill the dude.

Normally when a person gets raped and shot at, they'd be traumatized, right? In BL that's usually resolved by the magical healing cock of the seme. In this one Souichirou is healed by being able to cry in the arms of the man he loves. They do end up having sex, but that's not what soothes Souichirou. Plus, Souichirou is able to put aside his trauma for the most part because he's just a strong kid. It's been abundantly shown throughout the book, so it's not hard to swallow when he deals pretty well with the trauma. I appreciated that it more or less made sense with these characters in this book, unlike in so many other BL books where trauma is brushed aside like so much nothing.

I can't get into such a bastard seme, even though at least in this book the uke is his equal, so I don't quite like the book. But I'd say it's decent. :P
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I really enjoyed reading Zankoku na ouse by Ioka Itsuki (one of my favorite authors) and illustrated by Sasaki Kumiko. This takes the tired old premise of the traumatized victim uke with a frozen heart who is "thawed" by an aggressive man and makes it work. I kept waiting for the author to betray her premise and make the uke start acting differently to make things more...passionate. But she didn't! I was so happy that she stayed the course and ran with it, even if it meant there wasn't the angst-fest we typically get when the types of things that happen in this book occur. XD

Ooba Makoto already has been promoted to a high position in the company he works at. He's married to the company president, he's good looking and works very hard. Seems like he has everything going for him, but of course it's all an illusion. Makoto has lived his life without feelings for years. He lives for his work. His marriage is a sham--he had initially married his wife because she'd become pregnant with some random man and needed legitimacy, but she'd miscarried and they never developed any kind of relationship at all. She had tons of affairs and ran around playing while he worked. One night he wakes up to find himself handcuffed to his bed and a man on top of him. The man introduces himself as Hadori Chiaki, a host in a Shinjuku club. He's having an affair with Makoto's wife.He'd been asked by her to find out if Makoto is gay. When they have sex it becomes obvious that Makoto had been used to being fucked.

Chiaki tries to blackmail Makoto with the threat that he'll report the truth to Makoto's wife to get Makoto to continue to sleep with him, but Makoto doesn't much care. It's only when Makoto thinks that things might become public and thus a problem for his wife and company (he doesn't much care about what happens to him) that he goes along with it. He tells Chiaki very dispassionately how he'd been raped by his cousin for years (or was it only a year or so?) until the cousin died in a car accident. After that he'd lost the ability to feel much beyond a vague sort of empathy, as well as less intimate feelings such as a sense of duty (to his company, for example).

Chiaki is confident and carefree, the very opposite of Makoto. He is aggressive, but very gentle with Makoto in bed after that first time. They continue to have sex, even after Makoto's wife finds out about them. She's desperate and angry because Chiaki, whom she had patronized heavily and spent serious money on, is avoiding her and fucking her husband instead. In revenge, she plasters pictures of the two of them at their respective workplaces. Makoto, who works at a very respectable company, had been preparing for his eventual departure after the first rape by Chiaki. He quickly and efficiently tenders his resignation as well as divorce papers to his father-in-law, the president, and then spends his last day at work handing his work off to his subordinates. He is surprised to find Chiaki waiting for him outside of the office. Turns out Chiaki had been fired as well--a gay (or bi) host is useless at a club catering to females. Chiaki gives Makoto a ride to Makoto's apartment (a very nice place provided by his soon-to-be-ex-father-in-law), where Makoto picks up the bag he'd prepared for when he might have to leave. He feels guilty about his wife, especially as he'd found out that day that she'd actually liked him and had pointed him out as the person she'd like to marry. He'd made no effort to get to know her, and she was too proud to try herself. But in the end what Makoto feels as he leaves the apartment is a feeling of relief. He was free of all obligations.

Chiaki tells Makoto that he'll go wherever Makoto goes. He's been bored with life for a long time, good at everything he did and able to sleep with anyone he wanted. But he's drawn to Makoto for some reason. Makoto decides that it might be enjoyable to travel with Chiaki and laughs.

They travel by car, with Chiaki spending the tons of money he'd made but hadn't bothered spending as a host. He buys Makoto clothing after getting tired of seeing Makoto in work-type slacks and shirts all the time (Makoto didn't own casual clothes as all he did was work). Chiaki had realized that Makoto wasn't used to kindness and gentleness by others, in and out of bed. After the first couple of times, he learned that the more gentle he was the more Makoto responded. Thus, he became more and more gentle in bed. He continues to be gentle with Makoto, figuring that some day Makoto will realize why he bothers to do things for Makoto.

Hm...I don't think the quick summary really did the story justice. ^^; It's hard to convey the dry yet deep relationship between Makoto and Chiaki. They're both rather dispassionate (okay, Makoto is *really* dispassionate for most of the novel besides during sex, and only becomes less so at the end) yet aren't boring or shallow. I love how neither much cared about having their sordid gay affair exposed to the world. There's a sweetness mixed in with the dry dispassion that was I found very appealing. I was so happy that Makoto really was more or less detached throughout, not having the utterly-cliched "breakdown" that these supposedly detached/supressed characters almost always have. The novel ends with him only becoming slightly more human...

I rather like the art, it totally fit the feel of the story and the characters.

cut for my favorite pic )
insaneneko: (Default)
I’ve been rereading Shitsuji no tokken (The butler’s privilege) by Eda Yuuri, a BL novel I’ve come to really like. It features the master-servant situation, a favorite of romantics everywhere. Harada Shinobu applies for a normal position in a big pharmaceutical company only to be recruited for a position as a personal secretary for the grandson of the company founder, a reclusive man who works primarily out of his house. Nogisaka Otoya has obsessive compulsive disorder. He always wears gloves, and requires those around him to wear them as well. He can’t stand being touched, and constantly washes his hands. He’s touchy, willful and insanely fastidious. His butler Tomimasu has tried finding him a secretary, but every single candidate did not work out, driven away from his unpleasant demeanor. Shinobu is affronted by the sharp-tongued Otoya, but he realizes Otoya figures that he won’t last long like all the others. He decides to prove Otoya wrong and manage to make it through the trial period. Then he can spurn Otoya and “win.” Of course things don’t go like that. The novel shows the gradual (oh so gradual) building of trust and caring between the two. It is careful about showing that progress is slow, and is often one step forward, two steps back. For the most part, the events in the novel aren’t too far out (in as much the entire premise is already far out enough that everything that happens seems rather logical and reasonable) and are integrated into the narrative well.

The core of the novel is Otoya and Shinobu’s relationship. It’s wonderful how the reader and Shinobu slowly come to realize just how messed up Otoya is. We learn pretty early on that Otoya isn’t afraid of getting other people’s germs but of spreading his own. He is trapped in a world of his own psychosis, and while intellectually knowing the truth can’t break free. I was like Shinobu, feeling terribly sad for Otoya after a while. The story is extremely romantic, but in a sneaky way. The focus is so much on the master-servant bonding that it was only after I reread the novel did I realize how much of Shinobu’s declarations and acts of utter loyalty and devotion are just so supremely romantic (Okay, maybe I’m just dense or something ^^;).

The writing is smooth and easy to read. There weren’t much in the way of really annoying word choices (that this genre tends to be full of) or really silly phrases (that I guess are supposed to be flowerly, but end up sounding juvenile). The characters were fleshed out and well-developed. The author established a baseline of rationale and back story that made the actions of the characters believable and natural. I did have some problems with the novel, but they aren’t major.

Some more babbling )

Another thing I really like about this novel is that the illustrations, by Sasaki Kumiko, show men with some bulk. They are in their mid to upper twenties, and wouldn't have reedy gaunt teenaged bodies.

Some illustrations )

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