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I was reading a novel featuring police officers which I enjoyed muchly, and it made me think about other novels with police officers I've liked. It led me to do the round-up below (with links to more detailed posts when they exist):

Kouban e ikou by Ioka Itsuki and illustrated by Sakuragi Yaya is about an officer assigned to a koban who gets involved with a contractor and the contractor's son. It's a pretty fluffy story, but I like the passionate young officer type and the art is pretty.

The Reload series by Ioka Itsuki and illustrated by Kunisawa Tomo (My post about the first three volumes here) is an ongoing series about a wild but very effective detective and a forensics specialist. Every so often the case featured in a book is good enough that I actually want to follow it, but what it comes down to is that I like the two characters and their relationship. There's seven books out right now, and it doesn't seem like it'll end any time soon. Or so I hope.

Mihitsu no koi-Keep Out-, -Break In-, and -Cross Over- by Himekawa Hotaru and illustrated by Mizuki Hasuno are about another pairing of a detective and a forensics specialist. I haven't read the third one yet, but the first two are fun. The cases are a bit over-angsty, but once again I just like how the two characters relate. This pair seem…a bit more mature compared to the Reload series. It helps that the detective is actually pretty responsible. He is saddled with subordinates and with keeping the forensics specialist (who is good at what he does but has no people skills) in line, while dealing with out-of-touch superiors.

Niizuma Deka by Miduki Mato and illustrated by Ebihara Yuri (My post about it here) is the absolutely silly story of a wild but effective detective who marries a rich and up-and-coming politician. Like, actually marries in a church ceremony (though legally the detective is adopted by the politician as there is no same-sex marriage in Japan). I want a sequel, frankly.

Fuson de yaban by Iwamoto Kaoru and illustrated by Enjin Yamimaru has pretty art and a premise I like even though (or is it because?) it's just so cliched. An uptight career-type (WTF do you call career-gumi police in English?) asks a former partner (a normal detective) for help and they "have to" play a gay couple as their cover. The detective is gay and had been (still is) in love with the career type, and he lets the play-acting go a bit too far at times. Yes, yes, cliched. But the art! So pretty! Also, the story ends decently.

Mahiru no tsuki by Ioka Itsuki and illustrated by Ebihara Yuri (My post on the first volume here) is about a former detective who quit the force because he was disgusted with the police after they'd covered up his former partner's crimes (including shooting him) and moves to Osaka. There, he meets a yakuza boss and ends up the boss's lover. He also becomes a private investigator. I reread this series quite a lot. The relationship between the two develops throughout the series, but the detective never loses himself in the relationship (like many supposedly tough-y toughs who turn into uke jello). The side characters are endearing. Also, the cases he takes on (which invariably have something to do with yakuza) are pretty interesting. Also^2, Osaka-ben! The drama CD for this is soooo good. I wish the entire series had been made into drama CDs.

Sekai no hate de matteite~Tenshi no Tsumeato~ and it's sequel Sekai no hate de matteite ~Uso to kaifu~ by Takatoh Ruka and illustrated by Yukifuna Kaoru (vol 1) and Chayamachi Suguro (vol 2) are about a former detective turned private investigator and his former partner who is still a detective. As I mention in my post about the books, the cases are bleah. The real meat in this is the tension between the two characters and the mystery of the unsolved murder of the PI's sister that caused the PI to quit the force. Oh, so delicious. Too bad the artist changed between volumes. I really want the next book (please let there be another book) because we get a tantalizing glimpse into the past at the end of volume 2.

Amai Mizu vol 1 and 2 by Kawai Fumiko and illustrated by Kitakami Ren are about members of the SIT (Special Investigation Team) of the Tokyo Metropolitan Police. I've only read volume 1 but am looking forward to reading volume 2 (eventually...). Endou is a SIT member formerly in SAT (a paramilitary counter terrorism unit) who does not look forward to a new former SAT member joining SIT at the beginning of the book, Kuonji. (According to the book, SIT specializes in working on cases with hostages, thus does negotiation and the like. They do, however, also do missions to rescue hostages.) Endou does not like Kuonji. Kuonji likes Endou, but doesn't know how to get along with Endou. What I enjoyed from this book, besides the pretty art, is the depiction of the very hierarchical structure of the police and how much being a sempai vs. kouhai is a huge deal, even more than in regular Japanese society. The life in the dorms is fun to read about (though I'd never want to be in one--all this gotta do what your sempai says crap sounds awful). The way Endou learns to see Kuonji differently and how they develop a relationship works (it's not smooth, but it starts with them having to work together in a professional manner). Endou is one of those "guy" guys, very carefree and manly. Kuonji is a man of few words but much action. I like the combination, even if the SIT and SAT acronyms crack me up every time I see them.

S.S.SP by Yuuki Kazumi and illustrated by Norikazu Akira is about a wild but effective detective who becomes an SP (security police) officer, which I wrote a lot about in this post. What can I say? Stupid title, silly story, but lotsa fun. I really, really enjoyed this. Probably too much.

Fujourina kuchizuke by Himekawa Hotaru and illustrated by Nara Chiharu is a silly story about an SP officer who has to guard a VIP. My worthless post here is basically full of pics (and snark), because this is from Nara Chiharu's time doing good art and there is much eye-candy. There is also eye-rolling, but pretty art trumps much. This is possibly the silliest of the bunch because at least in the others the people seemed to be able to do their jobs decently. In this one the SP has to be pretty worthless for the plot to go anywhere. :P

Soooo...anyone have any recs for me? I love police BL. Would love to read more decent ones.
insaneneko: (Default)
I have been waiting for a sequel to Sekai no hate de matteite ~Tenshi no tsumeato~ by Takatoh Ruka and illustrated by Yukifuna Kaoru for a long, long time. It was originally published in 2005 and I bought it in 2007. It seems like I've never written about it all these years as there is no tag for this author. I suppose I never wrote about it because it's hard for me to talk about it. I love a small part of it to bits, but am totally indifferent to most of it. The book is about a private detective, Kurosawa Touichirou, who used to be a police detective. He works in Shibuya, the same area he'd been assigned to in the police. He interacts fairly often with a former co-worker, Kaiya Yukihito, who is still a detective. The two are opposites. Kaiya is very precise and uncompromising. Kurosawa is warm and not as precise. The best things about this book is the relationship between the two and the art. The worst thing about this book is the case Kurosawa takes on that intersects with one of Kaiya's cases and results in them working together. My god, how little I care about the case and the characters involved. So little I won't bother mentioning it even a bit.

What you eventually learn is that Kurosawa quit the police after a burglary in his home that ends up with his younger sister murdered and him being injured fairly badly. The culprit gets away and is never caught. He forces the doctors to discharge him earlier than they think prudent and goes home. Kaiya goes to see him, and Kurosawa is not doing well. He grabs Kaiya and begs him to not die before him. They have sex that one time. Kaiya is not interested in guys in any way, and doesn't really know why he lets Kurosawa fuck him. It's a horrible experience for him, painful and destructive. Kaiya thinks of that night as a deep dark hole they both fell into that time, and they never speak of it. But it lies between the two, unspoken but palpable, just like Kurosawa's sister's death and the fact that they had been co-workers. The tension and the suppression and the longing are quite delicious. Another lovely scene has the two of them drink a lot, until Kaiya is out of it and asks Kurosawa to loosen his tie. Kurosawa does so, leaning over him and unbuttoning the first couple of buttons, then lightly running his hands along Kaiya's neck in the most sensual scene in the whole entire book (the actual sex scene was not sensual, it was harsh).

So I just realized that the long-awaited sequel Sekai no hate de matteite ~Uso to kaifu~ had come out late last year. I was disappointed to find that the artist had changed and was now Chayamachi Suguro. This artist can't compare to Yukifuna Kaoru, though it seems like Yukifuna isn't doing much nowadays. It reminded me of the shock of Flesh & Blood being illustrated by a vastly inferior (to me) artist--I still haven't recovered from that. I haven't been able to read any volume of F&B with the new art yet. Eventually I will, but right now I'm repulsed by the art. Same with this book, the artist is so not my taste and so not as good it's depressing. I tried to avert my eyes to the art as I read this. Similar to the first book, the case is very uninteresting to me. I had no patience for the situation AT ALL and just wanted more Kurosawa/Kaiya angst...And was rewarded greatly. Oh. My. God. There's a lot of Kaiya feeling awful as he suspects Kurosawa doesn't trust any police, including him. And it finally comes to a head when Kaiya demands that Kurosawa tell him one true thing. Kurosawa lets slip that he loves Kaiya. Kurosawa tries to recover by turning it into a joke, but Kaiya just yells "I know that, you shit!" (okay, not the "you shit!" but he might as well have by his tone) and decks him. Kurosawa then grabs Kaiya and kisses him (it's raining so Kaiya loses the umbrella when he's grabbed). Kurosawa apologizes, saying he wasn't going to kiss Kaiya again after that one time when they'd had sex. When Kaiya asks why, Kurosawa responds that it's because his reason is just shredded and kisses Kaiya some more. This scene is from Kaiya's POV and we see Kaiya struggling to not remember that night and be overwhelmed. They are only interrupted by Kurosawa's client coming to get help from Kurosawa. That scene is absolutely marvelous. There's more tension and suppression as Kaiya is ordered to basically spy on Kurosawa by a superior, who suspects that Kurosawa hid something about his sister's murder and may be involved in some way. The author then drops a huge bomb at the end when Kurosawa tells Kaiya that his sister was killed because the burglar was after something very specific and that the burglar knew about it because someone in the police station overheard Kurosawa talking to his sister on the phone. The last line in the book says it felt like the world had fallen away from Kaiya's feet. I look forward to the next book. I hope it doesn't take SIX YEARS again.
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The main thing I want to say about Egoist Hazard by Imaizumi Masako and illustrated by Yukifuna Kaoru is, "Don't read it." Not even the pretty art makes it worth even cracking the damned thing open. It's about a secretary who works in the secretarial pool for the company president, who has to deal with president's nephew come to fill in for the ill president. Secretary boy is somewhat of an ice queen, gorgeous but cold and expressionless. He's good at his job, and resents the very (VERY) arrogant nephew (from America) who is, to put it mildly, a total and utter jackass. Talk about class privilege. He's grown up with a silver spoon in his mouth. While he is actually very talented at business, he treats his subordinates unnecessarily harshly. He crosses the line and just abuses his position to treat people like shit. Things happen, the two start having sex, mostly with boss being really really pushy. Boss still is not that nice to secretary, so secretary has the understandable idea that he's just a convenient fucktoy without the complications that can come of hetero sex. Secretary is totally gay, btw. There's this utterly unfascinating complication involving an ex-boyfriend and an icky (and even more abusive of his position) company president that involves some non-con (and provides the opening for boss to force secretary to have sex, naturally. There's nothing like being saved from one very unpleasant situation only to be turned on by your rescuer!). In any case, secretary realizes he's in love with boss (GAG) thanks to ex-bf's helpful questioning (I am utterly repulsed that the creep that is ex-bf gets to come out looking decent at the end, because there is just NO EXCUSE for selling out your unsuspecting bf to be raped to get a job. NO EXCUSE.) and decides he needs to run away before boss dumps him. So he gets a job offer from a friendly U.S. Senator (who, btw, loves to drag random men and women into bed for threesomes with his wife) and offers his resignation. This pisses boss off because he thinks secretary was just moving from one patron to another (he thinks Senator wants secretary for the sex). Secretary objects, and then we get the moment of truth. We learn the boss is truly and utterly a self-absorbed jackass. He reveals that secretary isn't just some fucktoy, because anything his dick touches obviously must be special to him. He never treats secretary well or shows an inkling of kindness, but secretary should've just known. Of course secretary is happy and grateful to find out (finally) that boss loves him, and boss commands him to be his personal secretary forever and ever.

I can't believe how pissed off I was at the end because the boss never shows any kind of remorse. He gets to stay on his high horse from beginning to end, bossing around secretary and expecting secretary to submit. GAH. There isn't even a decent protest from secretary for boss's treatment of him!

Once again I say, DO NOT READ THIS BOOK.
insaneneko: (Default)
Kikyouan no Hananusubito to Kizoku written by Tono Haruhi and illustrated by Yukifuna Kaoru is, frankly, one of those novels I bought for the art. And yes, the best thing about the novel is the art. This is part of the "Kizoku series," which is made up of unrelated novels by the same author with different illustrators having to do with aristocrats (kizoku). I happen to really like another novel in the series which I reread occasionally as a guilty pleasure (because it really isn't very good...^^;), so when I saw that Yukifuna Kaoru had illustrated this one, I bought it despite the summary. I didn't really care for it the first time I read it, but having reread it I've grown rather fond of it. ^^;

The novel is about Ashina Tsuguto, the heir of a Viscount, and Chiba Shigetaka, the third son of a rich family. I suppose this must be set in the Taisho era. When Chiba rescues Ashina from an awkward and embarrassing situation, he blackmails Ashina into having sex. Chiba enjoys trying to subjugate the proud and beautiful Ashina, while Ashina does his best to resist...

And the story is so incredibly predictable anyone having read some in the genre would know exactly what kind of things happen on the way to a retardedly happy ending. At first I disliked the inevitable humiliating and stupendously pointless sex, but now I find everything, including the sex, amusing because the two of them are such dorks. Also, minor details such as the use of 倶楽部 instead of クラブ and 活動写真 instead of 映画 tickle me to death. I love works set in the Taisho era. XD


the story told through the pretty pretty pictures )

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